Description
Tracklist:
: Symphony No. 1 In F Minor Op. 10
: Symphony No. 2 In B Major “To October” Op. 14
: Symphony No. 3 In E-flat Major “The First Of May” Op. 20
: Symphony No. 4 In C Minor Op. 43
: Symphony No. 5 In D Minor Op. 47
: Symphony No. 6 In B Minor Op. 14
: Symphony No. 7 In C Major “Leningrad” Op. 60
: Symphony No. 8 In C Minor Op. 65
: Symphony No. 9 In E-flat Major Op. 70
: Symphony No. 10 In E Minor Op. 93
: Symphony No. 11 In G Minor “The Year 1905” Op. 103
: Symphony No. 12 In D Minor “The Year 1917” Op.112
: Symphony No. 13 In B-flat Minor “Babi Yar” Op. 113
: Symphony No. 14 In G Minor Op. 135
: Symphony No. 15 In A Major Op. 141
13-1: Passacaglia – Interlude From Act II Of Lady Macbeth Of The Mtsensk District
: Suite From The Incidental Music To “Hamlet” Op. 32a (Excerpts)
: Suite From The Incidental Music To “King Lear” Op. 58a
13-20: “Festival Overture” Op. 96
: Chamber Symphony In C Minor Op. 110a
: Piano Concerto No. 1 In C Minor Op. 35
: Piano Concerto No. 2 In F Major Op. 102
: Violin Concerto No. 1 In A Minor Op. 77
: Violin Concerto No. 2 Op. 129
: Cello Concerto No. 1 In E-flat Major Op. 107
: Cello Concerto No. 2 In G Major Op. 126
: Lady Macbeth Of The Mtsensk District Op. 29
This Compilation 2025 Deutsche Grammophon GmbH, Berlin
2025 Deutsche Grammophon GmbH, Mhlenstrae 25, 10243 Berlin
Liner Notes Boston Symphony Orchestra, Inc. All rights reserved.
Cover Photo Marco Borggreve
Booklet Photos: akg-images / Universal Images Group / Sovfoto (inner front cover), Marco Borggreve (pp. 6/7, 24, 37, 41, 47), Aram Boghosian (pp. 13, 14, 16, 33), Hilary Scott (p. 18)
Sleeve Front Photos, CD 1 to CD 13 Marco Borggreve
Sleeve Front Photos, CD 14 and CD 15 Aram Boghosian
Sleeve Front Photos, CD 16 and CD 17 Winslow Townson
Sleeve Front Photo, CD 18 Hilary Scott
Sleeve Front Photo, CD 19 Steve J/ Sherman
Printed in the EU
Special thanks to Lloyd Axelrod, M.D. for his support of the Boston Symphony Orchestra’s “Shostakovich Under Stalin’s Shadow” recording project.
Symphonies Nos. 1, 14 & 15 Chamber Symphony
Recordings: Boston, Symphony Hall, 2/2018 (Symphony No. 14), 11/2018 (Symphony No. 1), 4/2019 (Symphony No. 15), 1/2020 (Chamber Symphony)
Publisher: G. Schirmer Inc., New York
2021 Deutsche Grammophon GmbH, Berlin
Symphonies Nos. 2, 3, 12 & 13
Recordings: Boston, Symphony Hall, 11/2019 (Symphonies Nos. 2 & 12), 10/2022 (Symphony No. 3), 5/2023 (Symphony No. 13)
Publisher: 2018 DSCH Publishers, Moscow (Symphonies Nos. 2 & 3 ed. Manashir Iakubov; Symphony No. 12 ed. Victor Ekimovsky)
2023 Deutsche Grammophon GmbH, Berlin
Symphonies Nos. 4 & 11
Recordings: Boston, Symphony Hall, 9 & 10/2017 (Symphony No. 11), 3 & 4/2018 (Symphony No. 4)
Publisher: Moscow Publishing House
2018 Deutsche Grammophon GmbH, Berlin
Symphonies Nos. 5, 8 & 9 Hamlet
Recordings: Boston, Symphony Hall, 10/2015 (Symphony No. 9), 11/2015 (Symphony No. 5), 2/2016 (Hamlet), 3/2016 (Symphony No. 8)
Publisher: G. Schirmer, Inc. All rights reserved.
Publishers: Moscow Publishing House (Symphonies Nos. 6 & 7); Associated Music Publishers/Sikorski, Hamburg (Festive Overture, King Lear)
2016 Deutsche Grammophon GmbH, Berlin
Symphonies Nos. 6 & 7 King Lear Festive Overture
Recordings: Boston, Symphony Hall, 2/2017 (Symphony No. 7), 4 & 5/2017 (Symphony No. 6; Festive Overture); 5/2017 (King Lear)
2017 (Symphony No. 6), 2019 Deutsche Grammophon GmbH, Berlin
Symphony No. 10 Passacaglia
Recording: Boston, Symphony Hall, 4/2015
Publisher: G. Schirmer, Inc. All rights reserved.
2015 Deutsche Grammophon GmbH, Berlin
Piano Concertos
Recording: Boston, Symphony Hall, 9 & 10/2022
2025 Deutsche Grammophon GmbH, Berlin
Violin Concertos
Recordings: Boston, Symphony Hall, 2 & 3/2022 (Violin Concerto No. 1), 1/2023 (Violin Concerto No. 2)
2025 Deutsche Grammophon GmbH, Berlin
Cello Concertos
Recording: Boston, Symphony Hall, 10/2023
2025 Deutsche Grammophon GmbH, Berlin
Lady Macbeth of the Mtsensk District
Recording: Boston, Symphony Hall, 1/2024
2025 Deutsche Grammophon GmbH, Berlin
Editor’s Note: Used the | character to separate parts or acts that ordinarily call for a Header, but is not used here, to keep complete works under a single Index Track.
Editor’s Note: Some tracks are divided into separate subtracks as clearly presented on disc sleeves or booklet, to manage multipart tracks. Track position is as printed or by using #.# convention. The printed track timing is entered as the [b]first[/b] Sub-track’s duration.
